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Ravel, Maurice - Tzigane for Violin and Piano
Ravel, Maurice - Tzigane for Violin and Piano
29,15 €
34,29 €
  • Išsiųsime per 12–18 d.d.
“Virtuoso piece in the style of a Hungarian rhapsody” – thus reads Ravel’s entry on “Tzigane” in the so-called “Autobiographical Sketch”. Composed in 1924, there are three versions of this work: withpiano, with orchestra and with luthéal, a device for keyboard instruments to extend the timbre. “Tzigane” was inspired by the Hungarian-English violinist Jelly d’Aranyi, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt’s “Hungarian Rhapsodies”. Work progressed slowly…
  • Leidėjas:
  • Puslapiai: 44
  • ISBN: 9790201805870
  • Formatas: 25.5 x 32.5 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų, Prancūzų, Vokiečių
  • Extra -15 % nuolaida šiai knygai su kodu: ENG15

Ravel, Maurice - Tzigane for Violin and Piano (el. knyga) (skaityta knyga) | knygos.lt

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“Virtuoso piece in the style of a Hungarian rhapsody” – thus reads Ravel’s entry on “Tzigane” in the so-called “Autobiographical Sketch”. Composed in 1924, there are three versions of this work: withpiano, with orchestra and with luthéal, a device for keyboard instruments to extend the timbre. “Tzigane” was inspired by the Hungarian-English violinist Jelly d’Aranyi, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt’s “Hungarian Rhapsodies”. Work progressed slowly and d’Aranyi only received the music four days before the première – but she still gave a brilliant performance.

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  • Autorius: Maurice Ravel
  • Leidėjas:
  • Puslapiai: 44
  • ISBN: 9790201805870
  • Formatas: 25.5 x 32.5 x 0.5 cm, minkšti viršeliai
  • Kalba: Anglų, Prancūzų, Vokiečių

“Virtuoso piece in the style of a Hungarian rhapsody” – thus reads Ravel’s entry on “Tzigane” in the so-called “Autobiographical Sketch”. Composed in 1924, there are three versions of this work: withpiano, with orchestra and with luthéal, a device for keyboard instruments to extend the timbre. “Tzigane” was inspired by the Hungarian-English violinist Jelly d’Aranyi, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt’s “Hungarian Rhapsodies”. Work progressed slowly and d’Aranyi only received the music four days before the première – but she still gave a brilliant performance.

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